Entry tags:
busy busy
OMC Eight is here.
I seem to be writing Nine and Ten at the same time, the days they cover coming to me all at once and out of order. I admit to having some impatience with Nine, since it is largely a transitional chapter in preparation for the red meat of Ten. But I have to do it justice; otherwise Ten will lose all its impact. A challenge, one of the many I have faced on this project. Successfully, I think, so far.
I confess to often falling behind on reviewing the work of my partners in crime. I read the chapters as soon as I can after they come to my attention, sometimes multiple times over, but then I can have trouble gathering my thoughts to comment. I will always get to it eventually, honest.
I seem to be writing Nine and Ten at the same time, the days they cover coming to me all at once and out of order. I admit to having some impatience with Nine, since it is largely a transitional chapter in preparation for the red meat of Ten. But I have to do it justice; otherwise Ten will lose all its impact. A challenge, one of the many I have faced on this project. Successfully, I think, so far.
I confess to often falling behind on reviewing the work of my partners in crime. I read the chapters as soon as I can after they come to my attention, sometimes multiple times over, but then I can have trouble gathering my thoughts to comment. I will always get to it eventually, honest.
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As to the growing sense of touch in the ruined flesh, he is not yet sure if it is a product of his imagination. And the actual flesh is not changing; it is only the nerves which seem to be regenerating.
Ain't we got fun? If you are a fan of Gilbert and Sullivan, you will recognize the quote in the review from the libretto of The Mikado.
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Believe me, I appreciate your reviews a great deal, even when you can find nothing to criticize. Knowing that you and the others will be reading and reviewing carefully keeps me honest, makes me check and double check everything, the grammar as well as the characterization. I would do all that anyway, but the extra incentive is still useful.
I have to admit that I am not much for the Gilbert and Sullivan. I have several friends who are into them, and when they are in local productions I'll go to see them perform, but that's about it. I have actually never seen The Mikado. Culturally illiterate, I know...
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I can see I shall have my work cut out for me this weekend. Now I must go and review the Crimson Spheres to get the events straight in my mind. I am tempted to let one of you others lead for a change. ;-)
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I've been avoiding the temptation to go back and watch the Crimson Spheres, because so far events are playing out somewhat differently in the fic, and I want to make sure that it's your vision in my mind where it conflicts with the game. I did, however, find it very useful to go back and look at key scenes in FFX while writing certain parts of AGL -- it helped me better remember how the characters move, what their presence was actually like.
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What I wonder, if I may ask, is whether you knew that Nooj is more fallible and transparent than he thinks before RyRy started writing from Gippal's point of view. Were these difference between Nooj's perceptions and reality always your intention, or have our interpretations changed the meaning of your original text?
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