soullessserenity: (Maasa smile)
[personal profile] soullessserenity posting in [community profile] fan_flashworks
Title: Interrupted Cat Nap
Fandom: Tokyo Mew Mew Olé (Manga)
Rating: General Audiences
Length: 300 words
Content notes: Established Shibuya/Anzu, fluff
Author notes: N/A
Summary: Ever since getting his Mew Mew powers, Shibuya would nap more often than before. But this time, his nap gets interrupted.

Something a little different...

Jun. 28th, 2025 08:39 pm
rosa_heartlily: (Default)
[personal profile] rosa_heartlily
A year ago we were celebrating Oldest Grandson becoming an adult, enjoying Younger Grandson and the dog, and I edited a story and played Tunic.

Today I got the cleaning done early, then went to get my hair cut. I'd messaged the hairdresser yesterday but got no response - but it's not the sort of place you really need an appointment for, so I just rocked up. Turned out they'd lost their phone in the wilds of Scotland. They also couldn't take card payments *sigh* Also, there was a queue building up behind me, so they just sprayed my hair with water - not quite the 'cut and blow' I was expecting! And they cut my fringe shorter than I wanted *double sigh*

I'd left husband by the suitcases sculpture on Hope St, so I collected him and we continued our walk. I got some cash out and bought meal deals for us both, then we went to the little garden with the dove sculpture to eat. There was a sunny patch for husband to sit in and shade for me - perfect!

Then we headed home and I dropped off the cash at the hairdresser's - and they charged less than usual, so that was something.

Back home, I came upstairs to play some ECHH. I got another building up in my town, then headed back to the boss I was stuck on yesterday - and defeated it in a couple of hits. Partly due to levelling, but also making better use of my rune lens abilities :) I got to the Treefolk Village (shades of Eruyt!), then stopped. This evening, I Did The Puzzles and got to the boss fight. Just about got through and then there was ANOTHER boss. This is a game that only allows you to heal at inns - not at save points and not when you level up. I'd used my healing and revival items on the fights through the puzzle area and the first boss, and MP items are like hens' teeth. So, after getting wiped out by the second boss, I went back to the village (which I wasn't sure I could do but was VERY grateful I could) and stocked up on items. Now I'm back at the save point before the boss, because I just couldn't face it again.

In between I had a bath and washed my hair, which I combed over to the other side and... it works!

Tonight, I decided to watch something off my Tivo list, and chose Lee. Talk about a badass!

I've been watching some YT videos about the ending of Clair Obscur.
More thoughts...
Interesting idea (not mine) - Verso didn't die in the fire, but somehow faked his death.

I keep circling back to why I still think I chose the 'right' ending. I do struggle with the idea that Renoir and (especially!) Verso were right, but I have one issue I can't get past and a couple I can sort of accept the arguments. I do totally agree that the Maelle ending gives her the best chance of healing, surrounded by people who care about her and will support her, as opposed to her family who really don't seem to give a single fuck about her. She might even get to a point where she can leave the canvas and show Renoir was right to trust her, because that's another of Verso's jabs - 'You lied to your father', aka, 'You're a liar just like me...'. I do, do, DO get all that. But...

My issues:
- Maelle's age - she might have lived for 32 years (16 years as Alicia and 16 after being born in the canvas as Maelle) but she has the emotional maturity of a 16 year old at best. Do you want a 16yo goddess deciding everyone's life? I accept that with Lune, Sciel and Gustave to guide her she has a fighting chance - IF she listens to them and doesn't decide she's a goddess and can do what she wants. I've heard a number of times how kind she is, how she wants to help - but she sees how miserable Verso is at the concert and seems completely oblivious. I mean, on the one hand - fuck Verso the lying, dirty scumbag that he is, right? But a kind person doesn't keep someone around to torture them.

- Young Verso - Maelle's ending depends on the enslavement of a child. Now, we only have adult Verso's word for it that young Verso is tired, and one of the videos pointed out how he recognised the people in his canvas as real people. But again, young Verso has a child's maturity. He might agree to whatever Maelle (who is also Alicia, his beloved sister) asks. Even if it isn't enslavement, it's exploitation. But, again, the strong, supportive adults should mitigate the worst of it. And kind Maelle may even make things easier for him - again something suggested in one of the videos.

- Bringing back the dead - OK, this is the full stop, for me. The immovable block. The reason Life is Strange irked me all the way through is that it begins with 'saving' Chloe, a choice I would never make unless the game forced my hand. Bringing back Gustave and Philippe, who didn't gommage, is, for me a big, fat 'NO!'. And will Maelle stop at those two? Or will her desire to help lead her to raise others?

Now, one of the videos pointed out that Verso is working under a false dichotomy. He sees only two options, and only one fulfils what he wants, so doesn't discuss his thoughts with the others. But what if he did? Could they have found a 'third way' together? For example, what if Maelle could take a copy of Verso's canvas, (my suggestion)? She could then run her canvas in any way she wanted - with all the caveats above.

But, ultimately, it's still a fantasy. I don't believe living in a fantasy is healthy. Maelle will have to face reality at some point - and I believe sooner is better than later. Of course, it's easy for me to say that when I haven't gone through what Maelle's gone through! My other suggestion is that maybe Maelle can find a life in the real world away from her terrible, terrible family, find a real life Sciel, Lune and Gustave to help her grow.

The other thing watching these videos has shown me is how much I missed! Not that I thought I'd done everything by any stretch of the imagination but Julie and Simon in particular are Important, and I knew nothing about them. If/when I do replay, it'll be with a guide!

acelightning has died

Jun. 28th, 2025 04:36 pm
redbird: closeup of me drinking tea, in a friend's kitchen (Default)
[personal profile] redbird
I learned this morning that [personal profile] acelightning has died. She was one of the people I only know online, but feel like friends because we have real conversations (in her case, here on Dreamwidth and previously on LJ).

RNG manipulation is so mean

Jun. 28th, 2025 10:21 pm
aikoto: (Bothered)
[personal profile] aikoto
One of the papers on the "Things I couldn't do in Pokemon as a kid because I had no internet" bucket list is RNG manipulation to get shinies, so I have been trying do to so tonight.

But I can't get it to work...! I found it a bit confusing at first, but now I understand it and I think I'm doing everything correctly.
My target is a shiny Cresselia. Smogon says that she starts at frame 5, meaning I only need to do a single frame skip (checking Chatot's moves) to hit my target of 6, right? 🤔

I reached the 1917 delay goal twice, in one of them I checked Chatot's moves once, and in the other one I simply talked to Cresselia (just in case talking also skips a frame, tho the guide doesn't mention that) and neither worked...! (>.<)

I dunno what I'm doing wrong... Tomorrow I will try to skip twice, 5 and 6 times to see if any works.

mekare: Xiaoge, Pangzi, Wu Xie standing side by side (DMBJ yellow)
[personal profile] mekare posting in [community profile] dmbj_tombraiders
Trailer here.
Cast here on my dramalist.

As far as I know this is not an adaptation of NPSS‘s stories "Wu Xie‘s Private Notes" but a readaptation of book 1 (and possibly 2).

And here is a video with the new Pangzi that made me aware that this existed: video on Tumblr.

Are you excited?

Murderbot

Jun. 28th, 2025 08:14 pm
philomytha: text: it's nearly a prosthetic memory, I'm thinking of chaining it to my belt, image of laptop (prosthetic memory)
[personal profile] philomytha
Murderbot TV series eps 1-8
I've been intending to watch this for a while, and with RL being rather stressful lately I decided to spend some of the past few days decompressing by inhaling the whole thing. I enjoyed the books a lot, and I also loved this. It gives the sense of having been made with a lot of fun, a lot of love, and also a strong eye for putting in every possible ridiculously tropey situation they can plausibly squeeze in. It sticks to the book in broad outline, but in many ways it feels like a great fanfic version of the book: more subplots have been added, more Situations have been created for our favourite characters to experience and suffer, everything's turned up and embellished a whole lot. I strongly approve of this approach to screen adaptation.

slightly rambling spoilery thoughts )

The Demon #9

Jun. 28th, 2025 07:47 pm
iamrman: (Sindr)
[personal profile] iamrman posting in [community profile] scans_daily

Words and pencils: Jack Kirby

Inks: Mike Royer


The Phantom of the Sewer is there, inside your mind...


Read more... )

[ SECRET POST #6749 ]

Jun. 28th, 2025 02:39 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets

⌈ Secret Post #6749 ⌋

Warning: Some secrets are NOT worksafe and may contain SPOILERS.


01.


More! )


Notes:

Secrets Left to Post: 02 pages, 40 secrets from Secret Submission Post #965.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.

book group

Jun. 28th, 2025 12:10 pm
boxofdelights: (Default)
[personal profile] boxofdelights
I hosted book group last Sunday and I'm only just feeling recovered today. We read How We Show Up: Reclaiming Family, Friendship, and Community, by Mia Birdsong, which is a very timely book about weaving the web of connections that we all need to survive the current omnidisaster. Eight people showed up at my house!

I made broccoli & tofu with peanut sauce, a tomato-lentil dish, spiced nuts (sweet and not sweet), and served salad, bread, cheese and crackers. My friend Karen made mojitos.

I also had door prizes: a stack of books. Six of them went home with someone.

pics )

TOS Spotlight: Commercial Promotion

Jun. 28th, 2025 05:27 pm
[syndicated profile] otw_news_feed

Posted by xeno

The Policy & Abuse committee (PAC) is responsible for enforcing the AO3 Terms of Service (TOS). To help users better understand the TOS, we’re posting a weekly spotlight series about the TOS and our policies. We’ll also be reading comments and answering questions on this and our other spotlight posts.


For our last post in this series, we’ll be talking about our non-commercialization policy. AO3 doesn’t allow users to engage in commercial promotion of any type, which includes everything from paywalls to tip jars, and quite a lot in between. In this post, we’ll discuss why AO3 doesn’t allow commercialization, what kinds of activities are considered to be commercial promotion, and what to do if you see commercial promotion on AO3.

Don’t go looking for things to report.

Please do not start searching for works to report after reading this post. We know that commercial promotion frequently appears on AO3. However, when people deliberately search for works to report, we end up getting a lot of duplicate tickets about works that have already been reported. Every ticket we receive is reviewed by a PAC volunteer, so we only need one report in order to investigate an issue. We know it seems like sites only respond to mass reports, but on AO3, duplicate and mass reports increase the time it takes our volunteers to investigate.

What is commercial promotion?

Commercial promotion covers all references or links to commercial sites, monetized features of non-commercial sites, and anything else that makes it clear someone is asking for or has received financial contributions.

On AO3, you can’t encourage anyone to give other people money, or talk about anyone having given people money in the past. This applies whether you are promoting yourself or a friend, or even if you’re collecting donations for other people or causes. If there is money changing hands, then it likely violates AO3’s TOS.

AO3 is a non-commercial space.

AO3 was created and is managed by the Organization for Transformative Works (OTW), a nonprofit organization committed to the defense and protection of fanworks from commercial exploitation and legal challenges. The OTW is entirely staffed by unpaid volunteers, and AO3 is itself entirely non-commercial. No one involved in AO3’s creation or management profits from it. The site is made available free of charge to all fans who wish to share their works with other fans and fan communities.

We understand that many people today choose to monetize their creative activities. However, in order to keep AO3 as the non-commercial space it was designed to be, users are not permitted to engage in any commercial activity on the site.

When you use AO3, you agree to follow our Terms of Service, which includes the non-commercialization policy. This applies to all parts of the site, whether you’re posting a work based on an existing source or creating content entirely original to you.

AO3’s non-commercialization policy applies to the entire site.

Real-world commercialization is banned everywhere on AO3. This includes:

  • Profile pages
  • Usernames, pseuds, and pseud descriptions
  • Works (including all tags, beginning or end notes, chapter notes, summaries, and titles)
  • Series (including titles, summaries, descriptions, and notes)
  • Bookmarks (including tags and notes)
  • Comments
  • Prompt memes, gift exchanges, and other collections
  • Any other part of AO3

It’s okay for fictional characters in fanworks to talk about fictional monetization. For example, it’s fine if a character has a fictional OnlyFans or Patreon within the story, as long as that commercial reference doesn’t direct the reader to a real-world OnlyFans or Patreon account for the work creator or anyone else.

What are some examples of commercial activities?

There is a wide variety of things that are not allowed under AO3’s non-commercialization rules.

Links or references to any commercial site or service. A “commercial site” is any site whose primary purpose is to facilitate the transfer of money. This includes, but is not limited to:

  • Storefronts like Amazon or Etsy
  • Crowd fundraisers like Kickstarter or GoFundMe​​
  • Tip jars or membership subscriptions like Ko-Fi or Patreon
  • ​​Payment platforms like PayPal or Venmo

Links or references to the monetized features of non-commercial sites. This covers any site that has features you can enable or opt-in to earn revenue, but the primary purpose of the site is social media, sharing artwork, or anything else that isn’t inherently payment-focused. This includes, but is not limited to:

  • Paywalls or early-access content like Wattpad Paid Stories or Webtoon Canvas
  • Storefronts like DeviantArt Shop or Instagram Shop
  • Tip jars or membership subscriptions like TikTok Donation Stickers or Twitch Prime

Previews and other promotions for paid content. This covers situations like excerpts or teasers shared in an attempt to entice people to purchase a book or become a paying subscriber. It also includes references to paywalled or early-access content (e.g. “Patreon subscribers get the new chapter one week early before I post it on AO3”).

Advertising content or services involving an exchange of money, such as buying merchandise, collecting donations, offering paid commissions, or selling published works.

Any other language which one might interpret as requesting or having requested financial contributions, whether for yourself or others. This covers indirect references, euphemisms, or other language intended to get around the TOS. Some examples of this include:

  • Thanks for the coffee!
  • My ☕ username is the same as my username here
  • This chapter is brought to you by my patrons
  • You know where to find me if you want early or bonus chapters
  • Check out my Twitter to learn how you can donate to me since I’m not allowed to discuss it here
  • If you want to hear more about my ideas, talk about fandom, or find more of my stuff for a coin, visit my Tumblr

Solicitation is not allowed, whether it’s for yourself or on behalf of someone else.

Commercial activity is not permitted on AO3. It doesn’t matter if you’re promoting yourself or a friend, or even if you’re collecting donations for other people or causes.

This means that if you paid an artist to create artwork for your fanfic, you’re not allowed to mention that they have a Patreon or use any other language that suggests people should also commission or donate to them. If you like a book by a particular author, you are certainly welcome to gush about what a great book it is, but you can’t link to the Amazon page where it’s for sale or encourage others to buy it.

What is the difference between a commercial site and a non-commercial site that has monetization features?

As mentioned above, a commercial site is a platform that is first and foremost intended to facilitate the exchange of money. For example, while you can use Ko-Fi as a blog, the site’s primary purpose is to encourage people to give each other money. Ko-Fi’s social features are secondary to its purpose as a donation and paid membership platform. This means you cannot link to or mention your or anyone else’s actual Ko-Fi on AO3 whatsoever.

An example of a non-commercial site that has monetization features is DeviantArt, an art gallery that is mainly intended as a place to share artworks. DeviantArt also allows its users to opt-in to additional monetization features, such as the DeviantArt Shop. Because DeviantArt’s paid features are both optional and not the primary reason people use the site, you can talk about or link to DeviantArt on AO3 – as long as you aren’t directing anyone to a paywalled post or referencing DeviantArt’s paid features in any way.

Can I link or mention a social media site where I talk about making money or collecting donations?

You’re allowed to link or mention social media like Tumblr or personal websites like WordPress, even if you sometimes post about commercial activities on those sites. However, you cannot reference commercial promotion on AO3 itself, nor may you link, mention, or give instructions for finding an account, page, or post that is solely promoting paid content.

Statements such as “Follow me on social media” or “Check out my Linktree” are fine. Directing people to an Amazon author page or to the Ko-fi link in your Twitter bio would not be allowed. This includes things like “Check out my Linktree to learn how you can support me” in cases where you are clearly referring to monetary support.

Can I post a fanwork created for a charity drive or for-profit zine?

While you cannot promote, solicit, or otherwise ask for donations on AO3, you are allowed to add your work to a collection or otherwise briefly mention why you created a fanwork, as long as you do so in a non-commercial manner. This means you can say “This was created for [Event]” or “Originally Written for [Name of Person/Zine]” as long as you do not directly link to a donation page or ask others to donate to them.

Keep in mind we also do not permit mentions of monetary transactions, regardless of when they occurred. A note such as “This was a $100 bid for Fandom Trumps Hate” would still be considered commercialization.

I’ve seen authors say their works are commissions. Is this allowed?

You are allowed to gift your work to someone else or otherwise briefly mention why you created a fanwork, as long as you do so in a non-commercial manner. Because not all commissioned fanworks were created for pay, we do permit usage of the word “commission” as long as there is no indication that a monetary transaction was involved in the creation of the work or that you are available to create other paid commissions.

For example, phrasing like “This is a commission for X” is acceptable, but “Commission for my Gold Tier Patron, Julie” or “My client agreed to let me post the first chapter of their commission” isn’t. The context makes it clear that both “patron” and “client” are references to a paying sponsor.

I’ve seen others ask for donations or advertise paid commissions. Why can’t I?

As our TOS FAQ explains, we don’t review content until it’s reported to us. You may have seen somebody else mentioning their paywalled content or otherwise engaging in commercial activities on AO3, but that doesn’t mean that it’s allowed. All it means is that nobody has reported that content to us yet, or that we haven’t finished processing the report.

What will happen if I get reported for commercial promotion?

First, we’ll review the reported work to confirm that you violated our TOS by engaging in commercial activities on AO3. If we determine that you did, we’ll send you an email telling you to remove the violating material.

If your work can be edited to fix the issue, you’ll be asked to edit the work. Your work may be hidden from other users until you do. If you choose not to edit the work, or if your work cannot be edited into compliance with the TOS, it will be deleted.

PAC will only ever contact you by email, and only after we’ve determined that your work violates our Terms of Service. We will never comment on your work or contact you through social media. Please make sure to keep your account’s email address up to date and check it regularly (including your spam folder), or else you may miss our warning email.

If you repeatedly post works that violate our commercial promotion policies, you may be temporarily suspended. Continuing to violate the TOS will result in your being permanently banned from AO3. You can learn more about warnings and suspensions in our TOS FAQ.

What should I do if I encounter commercial activity on AO3?

You can give the creator a heads up by politely commenting on their work and linking to the TOS FAQ or this post. Alternatively, you can report the work to us.

What about spam comments?

The best way to deal with spam comments, commercial or otherwise, depends on whether the comments are from registered accounts or guests.

How do I report commercial activity?

Although we ask that you do not deliberately seek out commercial promotion to report, if you come across commercial activity while browsing, you can report it using the Policy Questions & Abuse Reports form, which is linked at the bottom of every page on AO3.

Please don’t report more than one user at a time or submit multiple reports about the same user. When reporting multiple works by the same user, please submit only one report with links to each work you’re reporting, so that all information about that user is in the same place.

Please tell us exactly where in the work the commercialization is. The best way to do this is to give us a description or short quote that we can search for in order to immediately find the content. If you are reporting multiple works by the same creator, please group all the works into one report and provide this information for each work.

For example, a report of commercial promotion might look like this:

Link to the page you are reporting: https://archiveofourown.org/works/00000000

Brief summary of Terms of Service violation: Commercial promotion

Description of the content you are reporting:
This work by USERNAME advertises a ko-fi in the end notes of chapter 3.

If you are reporting additional works, please include all relevant links and other information in your report description:

Description of the content you are reporting:
This work by USERNAME advertises a ko-fi in the end notes of chapter 3.

Some of their other works also contain commercial promotion:

https://archiveofourown.org/works/23456789 encourages readers to purchase their book on Amazon: “If you’re curious what else I’ve been working on or want to support me elsewhere, check out my new short story on Kindle Unlimited!”

https://archiveofourown.org/works/34567890 contains an embedded image with a Patreon watermark. Underneath, the sentence “If you want more like this, click here” takes you to their commissions price sheet.

You can add more details if you like, but this example provides the basic information we need:

  • Who posted the commercial promotion: Tell us their username or if the work is anonymous or orphaned.
  • Where we can find the work(s): Enter one URL in the “Link to the page you are reporting” field, and (if applicable) include links to any other violating works in the description of your report.
  • What violates the TOS: Explain why you think commercial promotion has occurred, for example by including a quote and/or providing context for a comment exchange. A brief description of the situation is fine; you don’t need to be very detailed or quote an entire TOS or FAQ section.

You’ll receive an automatic email confirming that we received your report, and our volunteers will investigate when they get a chance. Please be patient and do not submit another report about the same work. While PAC investigates every report we receive, it can take several months for us to process a report, and not every report will receive a reply.

What if I have more questions about commercial promotion?

PAC follows a strict confidentiality policy. Therefore, while you are welcome to ask general questions in the comments of this post, we will not give information on specific cases, publicly rule on a work, or update you on the status of a report you have already submitted. Comments on this post that discuss specific works or users will be removed.

If you think you’ve found commercial promotion on AO3, or if you want to know whether a particular work contains commercial promotion, please report the work to us as described above. For more information, you can read our TOS FAQ on Commercial Promotion.

If you are still uncertain, you can comment below or submit a question through the Policy Questions & Abuse Reports form.

a terrifying day

Jun. 28th, 2025 11:52 am
loligo: Scully with blue glasses (Default)
[personal profile] loligo
No, not the Supreme Court (also terrifying), but personal stuff. Short version: we unexpectedly have a new cat, and she narrowly avoided getting poisoned yesterday. Don't worry, she is totally fine!! But I can't say the same for my mental health after that experience.

Beneath the cut, the story of how she came to live with us, yesterday's frightening near miss, and some cute pictures.

Read more... )

[ SECRET SUBMISSIONS POST #967 ]

Jun. 28th, 2025 01:46 pm
case: (Default)
[personal profile] case posting in [community profile] fandomsecrets
[ SECRET SUBMISSIONS POST #967 ]




The first secret from this batch will be posted on July 5th.



RULES:
1. One secret link per comment.
2. 750x750 px or smaller.
3. Link directly to the image.

More details on how to send a secret in!

Optional: If you would like your secret's fandom to be noted in the main post along with the secret itself, please put it in the comment along with your secret. If your secret makes the fandom obvious, there's no need to do this. If your fandom is obscure, you should probably tell me what it is.

Optional #2: If you would like WARNINGS (such as spoilers or common triggers -- list of some common ones here) to be noted in the main post before the secret itself, please put it in the comment along with your secret.

Optional #3: If you would like a transcript to be posted along with your secret, put it along with the link in the comment!

conuly: (Default)
[personal profile] conuly posting in [community profile] agonyaunt
Dear Annie: I have always felt like the odd one out in my family. I love them deeply, but I cannot ignore the quiet, persistent feeling that I do not quite belong. My two younger brothers, "Tom" and "Michael," are close with each other and with our parents, especially our mom. They talk every day, go on trips together and always seem to be in sync.

I, on the other hand, have always felt different. I was more sensitive, more artistic and more emotional growing up. While they were into sports and fixing things with Dad, I was reading, journaling or off by myself. I was teased for being "too dramatic" or "too much," and I learned early on to keep my feelings to myself.

Now that we are adults, not much has changed. Family group chats often go on without me. I find out about birthdays or get-togethers after the fact. When I try to bring it up gently, I get told I'm imagining things or taking things too personally. My mom says she loves me just as much, but I still feel like I'm standing on the outside looking in.

I want to be part of the family, not just in name but in heart. I want to feel seen, heard and valued -- not like the extra piece that doesn't quite fit. Is there anything I can do to shift this dynamic, or is it time to accept that things may never change? -- Outside in My Family


Annie's advice is better than I would've hoped for )

a brief surfacing

Jun. 28th, 2025 09:49 am
katarik: DC Comics: Major Slade Wilson and Captain Adeline Kane, text but I can make you better (Default)
[personal profile] katarik
Was at the queer youth group I volunteer at last night and the youth came in and were immediately like 'KPOP DEMON HUNTERS!!!' and, you know, the trailer looked cool, I've heard good things, and anyway the youth get to watch what they want to as long as they promise it's appropriately rated. So we put it on.

I have listened to the opening song six times in the subsequent twelve hours. I don't like all the songs in here, but "How It's Done" is absolutely an earworm, and it's an excellent example of how to effectively layer multiple voices. (Alcor Star Systems on Youtube has lyric videos which translate the Korean!)

I want the story where Rumi dodged the entire friend-breakup plotline by just TALKING to her friends like an ADULT, but I don't want to have to write it.

The worldbuilding is pretty shallow; it follows the tropes it's doing closely and there's no twist, which is both a feature and a bug; and the love interest is meh, but it's a very pretty movie with good female friendship and I am entirely here for the core concept of 'Jem and the Holograms but they're also Slayers'.

Get in the Car, Loser! (2021)

Jun. 28th, 2025 12:21 pm
pauraque: bird flying over the trans flag (trans pride)
[personal profile] pauraque
Concluding Pride Month media, I played Get in the Car, Loser! which is a queer road trip fantasy RPG. The lead developer Christine Love is a trans woman, and I'm not sure if everyone who worked on the game is trans but it looks like it's at least a high proportion.

combat scene where queer gen Z kids do battle with weird fantasy monsters

The story primarily focuses on Sam, an anxious goth trans girl who's studying magic in college. Her classmate Grace steals a mystical sword and then recruits Sam to be her party's healer on a quest to defeat the evil Machine Devil (who, disappointingly, isn't this guy). It's going to be a bit of a drive to the Machine Devil's lair, but fortunately Grace's nonbinary partner Valentin has a car, and also serves as the party's tank. The contemporary-fantasy worldbuilding is only lightly sketched but that's all that's needed; the quest to beat the Machine Devil just provides a framework for the characters to talk to each other, build connections, and grapple with their own insecurities and inner conflicts.

Read more... )

Get in the Car, Loser! is normally $24.99 USD on Steam, but is currently on sale for $17.49 USD, so this would be a good time to pick it up if it sounds like your thing!

Mori Reads Lady Speculative Fiction!

Jun. 28th, 2025 08:53 am
lb_lee: A colored pencil drawing of Raige's freckled hand holding a hot pink paperback entitled the Princess and Her Monster (book)
[personal profile] lb_lee
Mori: as a reward for getting through some crummy medical shit, I trawled a used book store for lady speculative fiction! (We’ve realized that it’s a lot easier to let ourself buy it with the glee that even if WE don’t enjoy it, the sci-fi library insures OTHERS will! And while the sci-fi library is well-stocked with “traditional” sci-fi publishers, it is really lacking in speculative work for queer and women’s presses and such.) I have taken on three of the four now...
  1. “Sultana’s Dream”, by Rokeya Sakhawat Hossain. 1905 Bengali Muslim biting satire about a carless future society where women rule and all the men have to stay indoors and never be perceived by humans outside their servants and immediate family. The edition I had shared the short story and then all the historical, cultural, and personal context as to WHY the story got made, who the author was (a feminist who fought hard for women’s rights in now-Bangladesh) and why it matters. Very historically interesting and edifying! (Also, for real, I do love the fantasy of Garden Future where all roads look like gorgeous garden paths because cars don’t exist and everyone moves by walking or floating helicopter/zeppelin thingies! In 1905, a carless future was imaginable! When the narrator regrets treading on such pretty flowers, another character tells her not to worry, these are special street flowers that can’t be harmed by feet!)

  2. Return to Isis, by Jean Stewart. 1992 lesbian separatist post-apocalyptic matriarchy story. Didn’t finish; everyone was just kind of unpleasant to each other, and if you’re going to write evil rapist men, I damn well require you understand how misogynist rape works. (I am probably the equivalent of the lawyer going “ugh” whenever they have to watch a courtroom drama, when it comes to the study of human sexual douchebaggery, though.) First book of five book series; maybe she got better as she went on, but I have other books to read!

  3. Madame Aurora, by Sarah Aldridge. 1983 historical novel about two girlfriends in their seventies at the turn of the last century who, struggling with money and disability, decides to set one of them up as a spiritual advisor, and the events that follow. I really enjoyed this one! Old ladies who still bang! Sordid history! Is it psychic or is she just really intuitive? What’s the deal with that scabby old Colonel? Aldridge does a good job, I think, of writing even unpleasant characters with an understanding of why they are how they are. Refreshing!


All that remains now is Katherine V. Forrest’s Daughters of a Coral Dawn. Forrest is apparently a better mystery writer than sci-fi (and I read one and liked it!) but I am willing to give it a shot and declare it library-worthy if I can’t stand it.

A successful booking!
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
Pursuant to yesterday's (locked) post where I discussed federal public health funding:

'Where's our money?' CDC grant funding is moving so slowly layoffs are happening (NPR)

God, that's eerie, to see NPR saying the same thing I was saying.

The grants mentioned in the article are all national in scope, btw: it's everybody who's not getting these grants, not just Texas or North Carolina. These grants aren't flashy or sexy, but they absolutely save lives.

Blue Beetle #12

Jun. 28th, 2025 04:31 pm
iamrman: (Sogeking)
[personal profile] iamrman posting in [community profile] scans_daily

Writer: Len Wein

Pencils: Paris Cullins

Inks: Dell Barras


Blue Beetle teams-up with the New Teen Titans to take on the Hybrid.


Read more... )

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